齋藤信吾
東京理科大學助理教授
齋藤信吾是一位建築師，同時也是 Shingo Saito Architects 的主持建築師。曾任早稻田大學助教與講師，現為東京理科大學助理教授，並兼任早稻田大學兼任講師。
出版著作：《菊竹清訓：山陰與建築》、《菊竹清訓：東光園》、《菊竹清訓：都城市民會館》。
代表作品：大井町車站公共空間（2020）（榮獲環境設備設計獎大獎與Good Design Award）、舊飯田家住宅改造（2023）、大阪・關西世博會休憩區廁所8號（2024）、西尾市終身學習中心（預計2027年竣工）。
Shingo Saito is an architect and the principal of Shingo Saito Architects. After serving as an assistant professor and lecturer at Waseda University, currently an assistant professor at Tokyo University of Science and a part-time lecturer at Waseda University.
Publications: “Kiyonori Kikutake: Sanin and Architecture,” “Kiyonori Kikutake: Tokoen,” and “Kiyonori Kikutake: Miyakonojo Civic Hall.”
Works: the Oimachi Station Public Space (2020) (Environmental Equipment Design Award Grand Prize, Good Design Award), the Former Iida Residence Renovation (2023), Osaka-Kansai Expo Rest Area Toilet 8 (2024), and the Nishio City Lifelong Learning Center (scheduled for completion in 2027).
高佳音
東京理科大學副教授
Kaon Ko 是東京理科大學的副教授。她擁有東京大學工程博士學位、美國克蘭布魯克藝術學院建築碩士學位，以及俄勒岡大學建築學學士學位。她曾任職於 OBRA Architects，並在美國與日本多家建築事務所工作，現為定居東京的執業建築師。
Kaon Ko is an associate professor at Tokyo University of Science. She received a Ph.D. in Engineering from the University of Tokyo, a Master of Architecture from Cranbrook Academy of Art, and a Bachelor of Architecture from the University of Oregon. She has worked at OBRA Architects in addition to several other architectural firms in the United States and Japan, and is a practicing architect based in Tokyo, Japan.
本次展出三件來自 2024 年碩士畢業設計的作品：
Brief description of the work Three works from 2024 Master Diploma Projects are showcased:
吉田周和 —— 以同時具備地鐵通風塔功能的建築為主題，透過場地風向分析，將刻意製造的不均勻風流引入室內，形成獨特的空間分區。
Syuwa Yoshida (Architecture that doubles as a ventilation tower for subway, the analysis of wind patterns around the site led to intentionally uneven wind patterns for interior zoning of the building);
岡野葵穂 —— 運用「變化的指向性」，提出一種「能動的建築」，藉此激發居民思考並想像轉變的可能。
Mugiho Okano (By employing the “directiveness” inherent in change, this proposal is an “architecture of agency” that prompts residents to think and imagine transformation).
小川琉聖 —— 透過「碰撞」切斷既有的經驗，打斷制度化的視角，使人類行動從「解碼」轉向「理解」，進而提出一種能喚醒人類創造力的建築。
Ryusei Ogawa (Severing experiences through collision, institutionalized perspectives are interrupted, human actions shift from decoding to understanding, thereby proposing architecture that awakens human creativity).
年份: 2024
媒材: 影像
尺寸:—
Year: 2024
Media: video
Size: —
位於日本橫濱的伊勢佐木商店街，其多樣且獨特的店面立面，承載著城市的記憶。雖然在 2024 年迎來了 150 週年慶，但建築逐漸面臨拆除，衰退的跡象亦已顯現。本計畫透過編織城市的記憶，試圖打造一棟連結過去與未來的建築。
年份: 2024
媒材: 影像
尺寸: —
The memories of Isezaki Mall, located in Yokohama, Japan, are embedded in its distinct and varied storefront facades. While it celebrated its 150th anniversary in 2024, the buildings are gradually being demolished and signs of decline are evident. By weaving the memories of the city, this project aims to create a building that connects the past and the future.
Year: 2024
Media: video
Size: —
此工作坊承接前一系列的集體創作，從「家具」延伸至「建築」。透過材料的結構特性——包含其承重、限制與連結——轉化為居住結構的基本社會功能。參與者將透過動手實作展開創意過程，既具挑戰性又充滿趣味，在 1:1 的真實比例下，透過材料的限制來考驗並培養「問題創造」與「問題解決」的能力。
課程強調合作、實體製作、關係建立、研究、材料探索與實驗精神，並結合實務操作與專案導向的學習方式，最終將在教室內外完成全尺度結構的設計與建造。
年份: 2025
媒材: 影像
尺寸—
This workshop will expand upon our collective work from the first in this series, moving from FURNITURE to ARCHITECTURE. The tectonic aspects of material—its structural elements, limits and connections — are applied to the essential social function of creating structures for habitation. The objective is to engage in a creative process of hands-on making that is both collaborative and useful, challenging and fun, testing our skills of problem-making and problem-solving against the constraints presented by real material at a 1:1 scale. We will immerse ourselves in collaboration, physical fabrication, relationship-building, research, material exploration and experimentation. This hands-on course offers practical, collaborative, project-based opportunities and experiences inside the studio and beyond, which will result in the design and construction of full-scale structures out in the world.
Year: 2025
Media: video
Size –
齋藤信吾持續探索並創造新的建築型態。在東京大井町車站的公共空間計畫中，他挑戰傳統的性別區隔廁所系統，提出兼具雕塑感與功能性的「全性別廁所」，重新定義都市空間中衛生設施的角色。於 2025 大阪‧關西世博會的休憩區設計中，則以塔狀群聚形式配置男性、女性與全性別廁所，讓其成為景觀的象徵元素。
在愛知縣西尾市的「生涯學習中心」中，規劃了教室與諮詢空間，支援面臨霸凌或不登校的兒童，以及具有外國背景的孩童課後照護功能，並創造一個跨世代共融的設施，兼顧交流與獨處的需求。透過這些計畫，齋藤信吾專注於回應迫切的社會議題，同時重新建構既有建築類型，提出強調包容與多樣性的公共建築新典範。
年份: 2025
媒材: 影像
尺寸: —
Shingo Saito has consistently pursued the creation of new architectural typologies. In the public space project at Oimachi Station in Tokyo, we challenged the conventional gender-segregated toilet system by proposing sculptural nad functional all-gender toilets, redefining the role of sanitary facilities in urban space. For Expo 2025 Osaka, Kansai, our design of rest areas featured tower-like clusters of toilets arranged into male, female, and all-gender zones, transforming them into symbolic elements of the landscape. In Nishio City, Aichi Prefecture, the Lifelong Learning Center incorporates classrooms and counseling rooms for children facing bullying or non-attendance, as well as after-school care functions for children with foreign roots, establishing a multigenerational facility that fosters coexistence. Spaces for both interaction and solitude are provided here. Through these projects, we focus on architecture that responds to pressing social issues while reconfiguring conventional building types, offering new models of public architecture that emphasize inclusivity and diversity.
Year: 2025
Media: video
Size:
一個孕育與聚集之地，其大幅起伏的屋頂成為孩子們的庇護所在，同時細緻地回應塞內加爾卡薩芒斯地區的在地氣候。光、風與水等元素透過簡單的建築語彙被引導、遮蔽並擁抱。此計畫的核心是一系列大型薄磚加泰羅尼亞拱頂，作為主要的建築「輪廓」。其柔和、延綿的屋脊線喚起一種自大地緩緩升起的地貌，形成一個環抱建築的景觀，確保提供一個安全且具吸引力的成長環境。此屋頂的設計不僅能遮蔽強烈的陽光，亦能收集珍貴的雨水。
年份：2025
媒材：錄像
尺寸：－
A place to grow and to gather, the large undulating roof becomes a placeholder for children while thoughtfully responding to the local climate in Casamance region of Senegal. Elements of light, wind, and water are guided, shielded, and embraced through simple architectural gestures. At the heart of this project is a series of large thin-tile Catalan vaults, providing the primary architectural “contour”. Its soft, sweeping ridgeline evokes a landform gently rising from the earth, creating a landscape that envelops the architecture to ensure a safe and inviting environment for growth. This roof is designed not only to shield unrelenting sunlight but also to collect valuable rainwater.
Year: 2025
Media: video
Size: –
